3 Aidan Burns' Scrambled V Variation (cC sA iB)

Scarmblaed v variations:
Be sure to read the basic information first!

Turntables:
This is important to learn the patterns fast and to understand the underlying system (read more).

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The pattern-table:

   1 2 3 1'
A p s p s p s -> B
B p s s s p s -> M
C s s p s s s -> A
M c C s A i B -> C

This table tells you what the jugglers do on every beat in one step. At the end of the table you see which role you a juggler has in the beginning of the next step.

The turntable:

iBstep
Name
1

2

3

4

A M B C
B C A M
C A M B
M B C A

In this table you can see which role you have at a given step. Write the names of you and your partners in the first column and read which role you take at the next, the previous or every other step.

In words:

  1. "c C": The manipulator carries a club to C.
  2. "s A": The manipulator substitutes a pass from C to A.
  3. "i B": The manipulator intercepts a pass from A to B, and becomes B by this. Former B is the new manipulator.

Tips:

  1. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA.
  2. On beat 3, M stands close to A and receives the pass as a pelf. She waits for the pass from B to pass by and to on the left side of A , who turns into B by this, and makes old M become new C.
  3. Old B, who has turned into M, walks to C, starts her with the carry and immediately substitutes the pass from C to A. This feels like M walks to C, gives a club to C, then bounces from C to A, receives a pelf there, waits until the pass from B comes along, and walks next to A. And waits until the new manipulator starts her with the next carry.